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5. Methods #3: A reflexive view of (from higher ground) of both above and below the water line. 

As a researcher I need to engage in reflexivity ‘to account for how subjectivity’ is ‘fundamentally intertwined’ with my process (Olmos-Vegaa et al., 2023). A qualitative approach provides an ‘opportunity to excavate’ the evolution of ‘previous frames of reference’ (Nguyen et al., 2023). Moreover ‘ethical reflexivity involves considering the social and political implications of research,’ being mindful of the experience of the participants (von Unger, 2021) – and other stakeholders. Tensions and contradictory demands create challenges, but as von Unger (2021) notes a way forward might be found through dialogue with peers,’ but also through ‘dialogue with actors in the field.’  

Crouch and Pearce (2015, p. 59) posit that since ‘social processes cannot be directly discovered’ the purpose of research is to attempt to ‘understand those processes through the ‘use an interpretivist lens.’ However, assuming that the ‘world is characterized by inequalities’ the role of the researcher is to ‘explore and attempt to expose’ those inequalities through use of a critical lens (Ibid), and the development of ‘participatory action research’ to provoke change (Ibid, p. 63). I am positioned more central in the process – acknowledging that my epistemology is ‘culture – value and history specific’ and therefore I must be explicit about my ideologically relative to the design of my intervention and where this position has taken me (Ibid, p. 62).  

I am drawn towards a critical realism, with its connection to discourse analysis as its distinction between ‘between the causal power of structures and the causal power of agency’ (Newman, 2020, p. 2). Reflecting on the roots of my research question (see Holmes, 2025a) – racism and the issue of digitally mediated translation – I recognize I am attempting to explore the connection between a deeper structural reality and the empirical space above the water – whilst acknowledging that a considerable ontological amount of the iceberg will remain unseen and unknown – see fig. 1. 

 

Figure 1. Adapted from Introducing critical realism. (Wiltshire, 2021)

This image is something I adapted whilst helping students to understand Saunders, Lewis and Thornhill’s (2023) Research Onion – see figure 2. 

Figure 2.The Research Onion. [diagram] (Saunders, Lewis and Thornhill, 2023, p.131)​

This also helped me to reflect on how my positionality is situated – and how my previous research fits into this paradigm, exploring how frames in the foreground serve forces in the background emphasizing the importance of ideas, which ‘impact the chain of events’ in the evolution of policies (Holmes, 2025b, p. 14). 

My current project aims to discover how the mediation of languages might foster a greater sense of inclusion and empathy between students in the learning space and overcome some of the risks presented by a world where communication is increasingly mediated by machines. In my view, these two elements are not mutually exclusive in respect of the tension between systemic power and human agency.  

When I think of the roots of the project, I am also cognizant of the routes of multiculturism – as articulated by Stuart Hall (Paul, 2005), and how, through exploring critical dialogues, we might work towards creating a more equitable, sustainable (UAL, 2023), inclusive and less divided space at UAL in the future. 

(481 words)

References 

Crouch, C., and Pearce, J. (2012) Doing research in design. Bloomsbury 

Holmes, I. (2025a) IP Unit_ Reflective Report. Available at: https://pgcertianholmes2025.myblog.arts.ac.uk/2025/07/15/intervention-reflective-report_-fostering-inclusivity-in-the-international-multi-lingual-multi-cultural-university-space/ (Accessed 12 December 2025)

Holmes, I.D. (2025b) ‘Framing COVID-19: ‘How UK government and media narrated the “crisis,”’ Politics and Policy, Vol. 53 (3) https://doi.org/10.1111/polp.70040 

Newman, J. (2020) ‘Critical realism, critical discourse analysis, and the morphogenetic approach.’ Journal of Critical Realism, 19 (5) pp. 433- 455. 

Nguyen, D.J.,Mathuews, K., Herron, A. Troyer, R.,  Graman, Z., Goode, W.A., Shultz, A., Tackett, K. and Moss, M. (2019) ‘Learning to become a scholar-practitioner through research experiences,’ Journal of Student Affairs, Research and Practice, Vol 56 (4) pp. 365-378, DOI: 10.1080/19496591.2019.1611591 

Olmos-Vegaa , F.M., Stalmeijerb, R.E. Varpioc, L. and Kahlked, R. (2023) ‘A practical guide to reflexivity in qualitative research.’ AMEE Guide No. 149. Vol. 45, (3) pp. 241–251   

Paul, A. (2005) Stuart Hall: “Culture is always a translation.” Available at: https://www.caribbean-beat.com/issue-71/culture-always-translation (Accessed on 17.03.2025)   

Saunders, M.N.K., Thornhill, P., and Lewis, A. (2023) Research methods for business students: Ninth ed. Pearson   

von Unger, H (2021) ‘Ethical reflexivity as research practice,’ Historical Social Research / Historische Sozialforschung, Vol. 46, (2)- Special Issue: ‘Reflexivity between science and society,’ pp. 186-204 

Wiltshire, G. (2021) Introducing critical realism: Workshop four- analysis. Available at: https://www.youtube.com/watch?v=nFpZYF0dF38 (Accessed 20 Nov 2025)

UAL (2023) Roots and Routes. Available at: https://millbankexhibition.myblog.arts.ac.uk/2023/07/19/roots-and-routes/ (Accessed on 17.03.25)   

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Reflective Posts

Reflective Post 4: Reflections on ‘zines,’ ‘roots’ and ‘routes’ in the multicultural university learning space.  

Here are some reflections on my experience with the Intercultural Communication programme, which offers workshops and resources for developing communication skills and intercultural awareness (UAL, 2025), as well as my interest in the works of Stuart Hall, and how this has informed my thinking about pedagogical approaches with my students at LCF.  

‘The intellectual routes’ taken by Stuart Hall and Paul Gilroy played a major role in transforming our understandings of ‘race, youth, schooling and identity’ (Warmington, 2014, p.91), and the development of cultural studies. I first came across Hall et al. (2013 [1978]) during my own studies in the field of public policy, and I was drawn to the chapter by Warmington (2014) because I wanted to learn more about how Hall and others have influenced the way in which we think, teach and learn about culture and identity.  

If you think of culture always as a return to roots — R-O-O-T-S — you’re missing the point. I think of culture as routes — R-O-U-T-E-S — the various routes by which people travel, culture travels, culture moves, culture develops, culture changes, cultures migrate, etc. 

(Stuart Hall in Paul, 2005) 

This play on the homophone (also see microteach post) resonates with me. The first time I came across this quote was in a Language Development sharing session given by Adam Ramejkis, about a program ‘R-O-O-T-S and R-O-U-T-E-S,’ which explores critical dialogues for more equitable and sustainable practice in art and design education (UAL, 2023).  

It was with Adam that I worked on (a separate programme) ‘Zine’ workshops during the UAL welcome week. The basic remit for these workshops was that students arrive, are briefed with how to make a ‘zine’ – using the materials (pens, paper, cut up magazines), and then are free to create (see figures 1 and 2 below).  

Figure 1. Welcome Week Zine workshops at Camberwell College of Arts Autumn 2024 

Fig 2. Welcome Week Zine Workshop Chelsea College of Arts Autumn 2024 

What I noticed happened in this multicultural space was that people felt relaxed and willing to communicate with each other, but were not under pressure to do so – i.e. they could choose when to communicate and when to focus on the work. The creative work itself expressing thoughts, feelings – and what we can discover in the moment; cultural identities being not only rooted in the histories, language, and culture of ‘who we are’ and ‘where we come from’, but also, and perhaps more importantly being ‘part of a process of becoming’ (Van Stipriaan, 2013, pp.206-207); see examples below (fig 4).  

Figure 3. Examples of student Zines created at CCW Welcome Week Zine workshops  

In the international classroom, I feel that it is my mission to facilitate a greater integration between cultural groups, but I want to explore a methodology where I can create opportunities for learners to find this without pressuring them to integrate. Culture is the process of ‘constructing a relationship between oneself and the world’ (Hsu, 2017) and, as Hall notes, people need to ‘have a language to speak about where they are and what other possible futures are available to them’ (Ibid). This is a language I want to explore in the intercultural fashion business classroom. See extensive feedback and evaluation of Zine workshops in Appendix, and for many more examples of student and staff produced Zines, see link to ual.amaZINES (2025) in references below.   

Appendix: 

AdamRamejkis_amazinesfeedback2324.pdf 

References: 

Hall, S., Critcher, C., Jefferson, T., Clarke, J., and Roberts, B. (2013) Policing the crisis, mugging, the state and law and order. London: Springer Nature [originally published by Red Globe Press 1978] 

Hsu, H. (2018) Stuart Hall and the Rise of Cultural Studies. Available at: https://www.newyorker.com/books/page-turner/stuart-hall-and-the-rise-of-cultural-studies (Accessed on 07.03.25) 

Paul, A. (2005) Stuart Hall: “Culture is always a translation.” Available at: https://www.caribbean-beat.com/issue-71/culture-always-translation (Accessed on 17.03.2025) 

UAL (2023) Roots and Routes. Available at: https://millbankexhibition.myblog.arts.ac.uk/2023/07/19/roots-and-routes/ (Accessed on 17.03.25) 

UAL (2025) Intercultural Communication. Available at: https://www.arts.ac.uk/study-at-ual/language-centre/intercultural-communication-training (Accessed on 17.03.25 

ual.amaZINES (2025) ‘zines from students and staff’ [Instagram] Available at: https://www.instagram.com/ual.amazines/?igsh=MWk5NHhidDBwd2t3dQ%3D%3D# (Accessed on 17.03.25) 

Van Stipriaan, A. (2013) ‘Roots and the Production of Heritage’ in Contemporary Culture Book Subtitle: New Directions in Art and Humanities. eds: Thissen, J., Zwijnenberg, R., and Zijlmans, K. Amsterdam: Amsterdam University Press  

Warmington, P. (2014) Black British Intellectuals and Education: Multiculturalism’s Hidden History, London: Taylor & Francis Group